Tag: uk artist

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Featured Music

Hurts: The Melancholic Mancunian Band That Thrived in Eastern Europe

Hurts Line of Best Fit

Electronic duo Hurts found “happiness” in the most unlikely of places

In 2010, the electronic duo from Manchester enjoyed a brief window of success. Hurts’ debut album, Happiness, spent almost a year in the charts, they caught the attention of BBC’s Sound of 2010 and even Elton John was a fan! Since then, the UK struggled to embrace their signature dark, dated and melancholic sounds, but to the duo’s surprise, they found incredible success in one particular region, Eastern Europe.

Hurts
Hurts by Line of Best Fit

Hurts is made up of Theo Hutchcraft and Adam Anderson. On a boozy night out in Manchester, the pair bumped into each other during a fight and bizarrely started talking about music. From that very moment, Theo and Adam formed a band, honouring their common musical interests. The result was Happiness, a sombre and quite depressing record, filled with gripping pop gems.

In its first week, Happiness sold over 25,000 copies, making it the fastest-selling debut Album of 2010 by a band in the United Kingdom. Since then, sales topped 2 million copies worldwide. Singles, Wonderful Life, Better Than Love, Devotion (ft. Kylie Minogue, and Blood Tears and Gold began racking up the streams and held steady positions in the charts. The DIY nature of the videos and visuals helped attract a quirky fanbase, which started appearing in the East.

But success was short-lived, and with the release of their sophomore album, Exile, which was impossibly even darker than the first, UK interest dwindled. Arguably, the unapologetic bleakness of Exile meant that British radios stopped playing the singles. But over in the Eastern European capitals of Warsaw, Minsk, Kyiv, Bratislava and Moscow, the record took off, cementing Hurts as the region’s biggest band.

Arguably, the appeal of Hurts to an Eastern European audience is the band’s excessive use of dark images in their art. The post-Soviet states are fairly new countries, with a raw and troubled recent history. Many cities are torn between forming their new identities and honouring the past. This is the winning formula for Hurts. They are a band that utilises the powerful feelings of nostalgia, combined with a stylish and slick aesthetic that is both modern and romantic. For adolescents, music plays a significant part in the forming of identities. The aesthetic of Hurts spoke to a young generation of Eastern Europeans who were finding their ‘tribe.’

Hurts, in the early years,  from Good Fon

Since their debut, Hurts released 4 more studio albums. With each release, UK support declined, but Eastern European interest remained reliable. In an interview with NME, vocalist Theo Hutchcraft acknowledged his audience: “The fans in Eastern Europe don’t mess about. In Kyiv, they brought us pig fat, our own Russian dolls and handmade clocks. One of them painted a full watercolour of Adam playing a piano.” Sometimes, it doesn’t matter where support comes from, as long as it’s there and allows you to keep doing the thing that you love. For Hurts, they are grateful for this loyal region, “It can be a bit dark sometimes but it’s flattering.”

Categories
Art + Culture

Five Stars for Chronic Insanity!

This month, Chronic Insanity have brought their immersive gig theatre to Clapham’s Omnibus Theatre

Chronic Insanity, a Nottingham based theatre company, led by Nat Henderson and Joe Strickland, always strives to deliver thought-provoking and visually stimulating live performances.

© vaultfestival.com

Their current show, 24,23,22, is a ‘brand new gig-theatre show with scuzzy beats, stolen handbags and the reversal of the flow of time. Written by Doug Deans, who we see on stage at all times behind his DJ deck, this show really does pack a punch. Ruth Page and Joe Matty play Fran and Brendan, two strangers whose lives suddenly collide and change forever. Both performers maintain their high energy levels throughout the hour-long show, delivering each line with perfect precision, and the audience holds onto every single word they say.

 

Chronic Insanity
© omnibus-clapham.org

What starts out as a seemingly ordinary day, results in two strangers meeting in the middle in a moment which ultimately changes their lives forever. Time flowing forwards and spiralling backwards, music beats and racing hearts are what really drive this show.

Chronic Insanity
© omnibus-clapham.org

Watching this 24,23,22 truly felt like a privilege, this show is punchy and important, shedding light on what it means to be human in a world that is slowly falling apart. When you leave, you’ll find yourself wanting to check in on your mates or give your family a call; it is heart-breaking and heart-warming in equal measure.  The intimate setting of the Omnibus resulted in a captivating and immersive experience, and you can’t help but get lost in their world. Led completely by spoken word and gritty beats, both performers transport the audience into their worlds, you have no choice but to lean in and listen to what they have to say.

24,23,22 is on at the Omnibus Theatre in Clapham until the 21st of May – this really isn’t a show you want to miss!

Snap your tickets up here!

 

Categories
Music

Beckah Amani Releases Nostalgic Single ‘Lebeka Leka’

Beckah Amani Lebekah Leka

‘Lebeka Leka’ is a nostalgic ode to Beckah Amani’s family and personal growth

Released today (March 9th), Beckah Amani’s ‘Lebeka Leka’ is a hopeful and tender track dedicated to family.

Co-produced by Josh Fountain (BENEE) and Tony Buchen (Troye Sivan), Beckah’s vocals soar buoyantly over floating rhythms as she inspires us to just let go.

The follow up to the critically acclaimed track ‘STANDARDS’, ‘Lebeka Leka’ tells the story of how Amani’s loved ones are the people who drive her to overcome the fears that threaten to hold her back. Speaking of the new single, the Australian songwriter says, “My mum calls me Lebeka because that’s how you pronounce my given name Rebeca in my language Kirundi. She always says ‘lebeka leka’ which means ‘Rebeca, let go’. I was particularly thinking about fear, how we often get so caught up in it that it kind of distorts everything that we want.”

Accompanying the heartfelt song is a video shot across three locations, aptly featuring Beckah’s rural family farm in Mount Tamborine, QLD. Of the decision to feature such personal settings in the ‘Lebeka Leka’ video, Amani says,  “I wanted to create a visual push and pull between my fears, how they distort my safe places, my dreams and warm moments with my loved ones. I wanted the music video to show how it’s the interaction with family and friends that override the presence, weight and pull of these fears; because their voices are the ones that truly matter.”

Beckah Amani Lebekah Leka

She continues, “Music began with family for me. It was so special and emotional to have them be a part of the music video and to film on location at my family’s farm as well as my family friends’ farm. The filming process felt like a big hug from the most important people in my life. ‘Lebeka Leka’ is a love letter to all the people in our lives that make living worth it. Reminding us to remember what is truly important.”

‘Lebeka Leka’ is out today via The Orchard.

 

 

Categories
Music

Maddy Storm On Her New Single and Female Representation In Music

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Maddy Storm On Her New Single and Female Representation In Music

[/vc_column_text][vc_column_text el_class=”article-byline”]

by Teddy Jackson

[/vc_column_text][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1/2″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”2151″ animation=”Fade In” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_custom_heading text=”Image by Isobel Williams” font_container=”tag:h6|font_size:14px|text_align:left|color:%23707070″ use_theme_fonts=”yes” el_class=”image-caption” link=”url:https%3A%2F%2Fwww.instagram.com%2Fphoto_parri%2F|title:Parri%20Thomas|target:%20_blank|”][vc_widget_sidebar sidebar_id=”woocommerce-sidebar”][/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1/2″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]In 2018, Grammy’s CEO Neil Portnow told women to “step up” if they wanted recognition for their work in music. Yes, you read that correctly. This ignorant statement and the resulting outcry did rightly lead to his resignation, but not before highlighting the sexism and misogyny that is extremely apparent within the music industry. 

According to Dr. Stacy L. Smith’s “Inclusion in the Recording Studio” report, women are severely underrepresented in every aspect of the music industry – especially in music production, with only 2.1% of music producers identifying as female. Almost half of women in music have had their work or skills dismissed by their male colleagues. Over a third of women in music have experienced stereotyping and sexualisation. The problem is perception. Until the music industry changes its perception of women and recognises their capabilities in music, it will continue to be an industry that sees gender before talent. 

Maddy Storm is a music producer that has written, produced and released the entirety of her discography independently. She’s keen to keep it this way in order to contribute to women’s representation in music production. [/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]After turning down a major publishing company that was keen to put her in the studio with a team of writers and producers – she’s now on a mission to break the mainstream without following the traditional trajectory of a pop artist.

 

“As a female producer, I don’t like the idea of separation or being put into a different category because of gender. Yet, I’m very aware that to make real change, it’s important to recognise the reason for a lack of representation or inequality that a certain group faces. I’m proud to be a female producer and I aim to lead by example, and add to the representation. In future, when people hear the word producer, there shouldn’t be one particular gender that comes to mind. I think it’s all about perception and altering how people view things, but that often takes time. As long as women in the music industry continue to be visible and strong I feel that in the next generation we will take a step closer to equality. 

The reason I prefer to work independently is because I find both writing and producing music to be a very personal experience. I use both to express a particular way I feel and I always have a clear vision of what I want a song to sound like. I find that doing it all myself is the best and most accurate way to create a recording that sounds exactly as it does in my head. I’m also a firm believer in the idea that you should write about what you’re too afraid to – or what you think you shouldn’t. But that often means writing about intimate, private thoughts and I find it can be hard to be brutally honest around other people – as on some level I’m always preoccupied with what they think of me. I’d love to work with other artists in future but for now I feel the need to share my ideas and voice and prove that it’s enough. As an artist, I’m very aware of the strange balance that exists between ego and self-doubt. I have found the best way to navigate this dichotomy is to have people around me that I trust who support me. Though I prefer to write alone, I always ask their opinions and advice when I feel I need it. 

 In the past I’ve had people question whether I’ve produced and written my own music. There is a deeply ingrained idea that producers are only men, or they genuinely believe that women couldn’t possibly create something on their own – either way it drives me to alter how female producers are viewed. I think visibility and representation are key. The more women there are being recognised for their talent; the more chance there is of young girls seeing and knowing that music is a possibility for them. We’ve still got a long way to go and I’m going to do all I can to play my part in the change.“

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type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”padding-2-percent” column_padding_tablet=”padding-9-percent” column_padding_phone=”padding-4-percent” column_padding_position=”bottom” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Maddy’s latest single ‘Surrealist Dinner Party’ is based on a ‘dream ball’ hosted by Salvador Dalí, where guests were invited to dress as their most recurrent dream. It’s about trying not to succumb to alcohol when you’re feeling low, and also more generally finding ways to make yourself happy without relying on other people or outside influence.

On the production of the track, Maddy says “the main riff may sound like a mix of intense guitars and synths but it’s mostly me singing into Apple earphones filtered through distortion and a myriad of other effects.” Maddy constantly experiments with music in her DIY home set up, adopting a kind of “trash into treasure” mentality to prove that you don’t need a fancy studio or budget to make massive sounding pop music.

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Stream ‘Surrealist Dinner Party’ here.

Follow Maddy Storm here.

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